March 2008 Archives
So Fleetwood Mac had two choices: more of the same (and to some extent, Rumours was already more of the same, a follow-up to the sound of Fleetwood Mac that made people forget the band had even existed in earlier incarnations); or, do whatever the hell you please, and see if people like it. Fleetwood Mac chose that route, along with some of the typical excesses of the '70s (like including a marching band on the chorus of "Tusk") -- and even then produced an album that would have been considered a huge success for any other band. I heard enough I didn't love at the time, and was generally allergic to the indulgence and high price of double albums (it was $13.98, when I could buy great used records for $3) that I just gave Tusk a pass. But I remained curious, especially when I heard that David Lowery and Camper Van Beethoven decided to remake the entire album a few years back.
So when I ran across a copy of Tusk at the library the other day, I decided to give this old album a try. And you know what? It doesn't suck. In fact, it's pretty good, and a lot of it is very good. So I feel like I owe Mick and John and everybody an apology.
Not to worry, I will not be rethinking any Eagles albums.
This picture is from the last big format shift -- you can't see the turntable below, but there are two tape decks (always hated tape's lack of fidelity), an amp I still use, and my first CD player. This was 1985, the CD player easily ran a week's pay, and I started springing a ridiculous $16 a pop for CDs (at a time when new vinyl was still about $8), and mostly spent it on classical music, for the lack of scratches and not having to flip the record over. Just a couple of years later, I had bought my last vinyl (for a long time, anyway), CDs had gotten marginally more reasonable (and took up less space than LPs), tapes were still important at home and in the car.
Nowadays, I mostly listen to my CDs through iTunes (because my CD player sucks), the tape deck and mini-disc deck are off to the side, and I'm playing LPs more often than I have in 18 years. I've even bought "new" vinyl lately, and lots of bands are issuing LPs again.
So there's been a crazy amount of reading and TV watching. I've read biographies of Steve Martin, Andy Kaufman and Brian Jones of the Rolling Stones (which, somewhat beside the point, got me into a little Marianne Faithfull listening jag). Currently working on Pete Hamill's "Downtown," a re-read of an old Schenectady history, and "People of Albany," a lively little tome on the denizens of my favorite and most-visited burial ground, Albany Rural Cemetery. Have watched endless episodes of "Ninja Warrior," been completely caught up in the much-better-than-it-deserves-to-be "Celebrity Rehab," and have gotten completely out of order in watching "Terminator: The Sarah Connor Chronicles." Between that and "The Bionic Woman," it's just such a relief to find some form of scripted television still remains, and in both cases, it's pretty good, too. I also record way more movies from TCM than I'm ever going to watch, and even then I have to ask that Turner give people a heads up when they're going to have a little John Garfield marathon! I jumped in on the tail end of "Body and Soul," a great boxin' pitcher with a standard cop-out happy ending (which is why Kurt Douglas's "Champion" is such a rarity), then had time to record a couple more John Garfield gems. As John Prine sang, "John Garfield in the afternoon, Montgomery Clift at night." (Saw "From Here To Eternity" a couple of weeks back, too.)
Clearly, I need some sunshine to play in.



